If you, like me, have been enjoying
the ups and downs of the Crawley family for the last couple of years, then this
humble abode and its well-manicured grounds have become somewhat familiar to
you.
Many people out there are mourning
the loss of Matthew Crawley who died in the very last minutes at the end of
Season 3 so that his actor (Dan Stevens) might live on to explore other
adventures in his career (can’t blame him…his character was a bit of a
goody two shoes). But before his death, Matthew
had started in motion the modernization of Downton to save the family home and
fortune. It all seems good and fine,
doesn’t it? They weren’t generating enough
money with their management of the land—we loyal viewers heard that it was
being “improperly managed” more than once.
Weren’t we all on Matthew’s side?
Modernization…it is so…modern, who can resist? Poor Lord Grantham with his grand ways and
his lack of proper management skills; it did take him a while to see
sense. He certainly could not articulate
any reason for his past management and he did not try to argue that he properly
managed at all, although I think he could have.
Perhaps
if Lord Grantham had been friends with a youngish Aldo Leopold, together they
could have made an argument for improper management, which might have even
included letting the grass grow or some native vegetation. The modernization that Matthew spoke of
included greater efficiencies in farming with machinery and working more of the
land to generate profits great enough to keep Downton solvent in the near
future. Solvency is good, but is the
cost always paid by natural things?
Leopold talks of Kublai Khan planting millet and other grains so that
the cranes would not want, and then of the farmers who drained marshes so that their
farms might not only surround, but invade the marsh. This too in the name of modernization and
efficiency (if only a short-term efficiency).
Maybe our future modernization will involve minimizing impact and maximizing
wildness. Leopold says that “Our ability
to perceive quality in nature begins, as in art, with the pretty. It expands through successive stages of the
beautiful to values as yet uncaptured by language. The quality of cranes lies, I think, in this
higher gamut, as yet beyond the reach of words.” Maybe in Season four, modernization will
collide with nature and Lord Grantham will find a voice for the improperly
managed, who do quite well in managing themselves.
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